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After that, they came in with four more people. A woman told Heineman that she had seen the men kill her husband and other members of the Autodefensas: “First, they burned my husband with a blowtorch while he was alive. When he arrived, the Autodefensas had tracked down two Knights Templar assassins, known as El Chaneque and Caballo, men allegedly responsible for the kinds of barbaric atrocities now standard in cartel culture. He took a camera, called his fixer-a local journalist-and headed back to Los Reyes. As Heineman and his crew boarded a plane home, he was struck by the feeling that they were missing something. “I wanted to know what happens when government institutions fail and citizens feel like they have to take the law into their own hands.” He hoped to emancipate the drug-war story from the headlines, and avoid telling it, as so often happens, through talking-head interviews with experts and officials.Įarly visits to the region yielded little: he scored a meeting with Mireles and followed the Autodefensas as they took over a town called Los Reyes, but nothing much seemed to happen cinematically. “The minute I read that article, I knew I wanted to create a parallel story of vigilantes on both sides of the border,” Heineman told me. In June, 2013, as Heineman was setting out to document citizen militias in Arizona, his father sent him an article about the leader of the Autodefensas, a charismatic doctor named José Manuel Mireles.
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DRUG WARS THE CAMARENA STORY ONLINE FREE FREE
Said to be composed of bricklayers, fishermen, lumberjacks, and other working-class types, the Autodefensas, a citizen militia, were making progress in their efforts to free Michoacán from the control of the Knights Templar, the area’s operating cartel. For three weeks, they’d worked twenty-hour days, trying to capture footage of the Autodefensas. Matthew Heineman, a thirty-two-year-old American filmmaker, was at the airport in Michoacán, the war-torn Mexican state west of Mexico City, when he had second thoughts about returning home. The documentary “Cartel Land,” a winner at Sundance, has been released in the United States and Mexico.